“I’ve gotten used to seeing myself as a piece of meat and observing myself from outside as: What do I want to do with my vehicle? OK, Tom’s not working properly. To Hardy, acting against himself has become a familiar process. Serkis calls Hardy’s system “mesmeric” to watch. Then, while Hardy performs as Brock, Venom’s lines are played through an earpiece. On set, Hardy typically retreats to a corner to record his Venom lines, which are enhanced with a pitch-modulator. In one scene set to Louis Prima, Venom makes breakfast for Hardy to cheer him up. The sequel is also about Brock and Venom undergoing what Serkis calls “the seven-year-itch” in their relationship, as both yearn for independence.
Kasaday attracts his own symbiote, Carnage, enabling his prison escape.
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“Let There Be Carnage” takes a gothic turn, bringing Brock into the orbit of a serial killer, Cletus Kasaday (Woody Harrelson).
We asked Sony, Kelly and I, if we could have a shot at pitching the second movie,” says Hardy. “Putting your hat in the ring is a logical step. Hardy is also a producer, a first for him on a feature film. Hardy also took a hand in shaping the follow-up he and Kelly Marcel (co-writer of “Venom”) are credited with the film’s story. This time, he sought out Serkis, the actor-director best known for his extensive work in motion capture performance, to follow the original’s director, Ruben Fleischer. On the first “Venom,” the actor has said some 30 minutes of scenes were left on the cutting-room floor. “We had to have a debrief and a wash up and say: What worked here? What didn’t work? What can we do better?”įor the sequel, Hardy took firmer control. It did rather well, enough for Sony to make another one,” says Hardy. “When it came out, critics didn’t like it - which is fair enough - and the audience did like it. Venom is a relatively marginal Marvel character the movies, Serkis says, are “swimming in the darker end of the Marvel pool.” But even though reviews weren’t very good, the film was a hit, grossing $856 million worldwide. In the dependable realm of superhero movies, the first “Venom” was somewhat of a risk.
“The masks of Eddie Brock and Venom are larger than life, but they’re ultimately two sides of the same coin.” “What’s thrilling is to be able to delve through the human psyche and the paradox of the human condition and play them in a farcical, superhero action thriller,” says Hardy, speaking by phone from London. And given that the two lead parts are played by the same actor, it’s the comic-book film most centered on an actor’s freewheeling performance. The dominant conflict is less about world saving and more about a very odd couple cohering in one body.
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“Venom: Let There Be Carnage,” which Sony will release in theaters Friday after a year’s delay due to the pandemic, extends what may the oddest superhero series around. “That tone was what everyone universally agreed was the epicenter of this world,” says Andy Serkis, director of the sequel “Venom: Let There Be Carnage.” “That is precisely the touchstone moment for where we started off with this.” What was supposed to be background set dressing was rebuilt to support Hardy, and thus spawned the defining moment for a weird and warped comic-book franchise. Venom has a ravenous appetite, so in a scene set at a seafood restaurant, Hardy improvised that Brock would, under Venom’s control, leap into a lobster tank. In its most talked-about scene, journalist Eddie Brock (Hardy), is overcome by the alien symbiote living inside him: Venom, a slimy, sinister-looking alien hulk also voiced by Hardy.
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But “Venom,” led by Hardy’s Jekyll and Hyde act, managed to break free of some of the prescribed rhythms of superhero movies. Not everything worked in the film, a darker, slimier spinoff adjacent to Sony Pictures’ “Spider-verse” Marvel world. NEW YORK (AP) - If there was one broadly agreed takeaway from 2018’s “Venom,” it was that when you let Tom Hardy run loose, good things happen.
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